Project Runway All Stars Recap: The Last Cut Is the Deepest

Photo: Lifetime

This week’s challenge offers a look at the fashion world from the other side of the coin — the final four contestants get a business-centric brief. Nanette Lepore serves as client and guest judge, with the winning look to be sold in her stores. The designs must be easily mass-produced, and cost-effective, as well as “timeless and feminine.” Nanette assesses their initial sketches’ viability in her studio … except for Mondo’s that is, because he doesn’t sketch. By his own admission, he’s produced a small child’s play-school scrawl; Nanette just stares at him like he’s crazy and calls his drawing “a tin can with a string attached.” Were this Pictionary, she’d win. A fashion appraiser estimates each garment’s likely retail price and breaks down the budget for fabrics and trimmings — limited to maximize profits. (And, hey, in this context, math is interesting.) This means Michael can’t buy enough fabric to make things three times over, which he’s understandably nervous about.

Just before returning to the workroom, Mondo and Kenley argue over the latter’s comments about designers who can’t or simply won’t sketch. They’re both right — yes, it’s a process that works for Mondo; yes, it’s also a trait that will limit his career potential within larger design houses — but that’s no fun in the reality TV stakes, so there’s a passive-aggressive little standoff. Mondo stomps around even grumpier than usual, and a teary Kenley eventually offers an apology, otherwise things would have been too awkward to bear in an elevator’s close quarters.

Nanette also joins Joanna for this week’s workroom crits; Kenley keeps cutting and sewing while listening to the introductory pep talk, causing Joanna to take the classic “I’m talking to you” line right out of your fourth grade teacher’s book of student-shaming tricks. You’d think she’d be commended for making best use of the challenge’s inevitably tight time frame, but that’s not the case at all. It’s suddenly very important — after nine episodes of this very characteristic being downplayed by an apparently reformed character — that we remember Kenley has an attitude. Why could that be?!

Michael’s work-in-progress receives the best response from Joanna and Nanette, despite the fact that his dress can’t be worn with a bra. Austin and Kenley both get knocked for their garments’ shapes; Mondo’s semi-realized design garners middling feedback — but he’s still grumpy. Someone needs to push his bed against a wall so he can only wake up on the right side of it. His mood slightly improves the next morning, perhaps having taken our aforementioned advice, and he pulls his stripey shift-dress together. Michael, Kenley, and Austin all get their looks finished for the runway, too, though in Austin’s case, barely. All, as usual, find time to talk lots of smack in confessional — though in fairness their comments may well have been filmed out of sequence. (The best one-liners always come once you’ve had time to sit back and let them ferment a bit.)

Perhaps inevitably given the RTW focus, the runway looks aren’t a lot to look at. The most interesting aspect is the reminder of each garment’s suggested retail cost that flashes across the screen as they walk — all four seemed like they’d be very tough to market successfully at their estimated price point. Cue the judges. Despite its cloying over-simplicity, the panel rhapsodizes over Mondo’s shift dress and its quirky balance of prints. Yes, he gets the win again. Austin scores second place for his taffeta wraparound coat despite its lackluster runway presence, and Michael scrapes out the third finalist spot for his beachy keen kaftan. (Our best guess: watch the placements in next week’s finale match this order.) This left Kenley, auf’ed in that cruelest fourth-place spot. Though it’s a decision we didn’t agree with, she took it in her retro-platform-heeled stride nonetheless, and that’s to her credit. (It’s also in stark contrast to this week’s forced bitchy edit.) But we won’t be long without our fix of Special K, because previews for next week’s episode show that she pops back up with all the other eliminated designers amid the frantic finale madness — yay! Also: a full runway show in four days!? Surely not, Runway, surely not — we know how this conceit worked out for 24 Hour Catwalk.

Runway Recap: The Last Cut Is the Deepest