In 1972, 20 female artists opened the first all-women gallery in the U.S. They named it A.I.R. Gallery for “Artists in Residence,” cementing a place for women as “permanent residents” of the art world. At the time, New York’s commercial galleries sold almost exclusively works by male artists.
On Tuesday, nearly a half-century after A.I.R.’s founding, artworks by a few of the gallery’s original founders and artists will be showcased as part of New York Art Week.
At the art fair CONTEXT New York, which debuts this week as a complement to the contemporary fair Art New York, the Accola Griefen Gallery booth will spotlight early paintings and sculptures by an inspiring cast of women: A.I.R. co-founder Mary Grigoriadis, who helped spearhead the pattern and decoration movement; Mary Beth Edelson, an early A.I.R. artist whose famous 1974 Goddess Head will be on display; and Pat Lasch, an early A.I.R. artist who, as the daughter of a German pastry chef, is known for her confection-inspired sculptures. The gallery will also showcase works by installation and sculptural artists Judy Pfaff and Nancy Cohen.
Click ahead to see their rich oil paintings, ceramic seashells, and one delicate beaded gown. CONTEXT New York and Art New York will be at Pier 94 from May 3–8.
Judy Pfaff, Udaipur 15, 2013. Encaustic and ink on various paper, 21” x 9.5”.
Judy Pfaff, Udaipur 29, 2014. Encaustic and ink on various paper, 13” x 16”.
Mary Beth Edelson, Goddess Head, 1974. 40” x 40”.
Mary Beth Edelson, Woman Rising Spirit, 1973. China marker on silver gelatin print, 15” x 17” framed.
Mary Grigoriadis, By the Light of the Silvery Moon, 1986. Oil and acrylic on canvas, 66” x 72”.
Nancy Cohen, Gathered Together, 2015. Wire, glass, ceramic, and handmade paper, 14” x 19” x 8”.
Nancy Cohen, Walkerscape, 2015. Paper pulp and rubber on handmade paper, 8’ x 10’.
Pat Lasch, Lillian: Two Births, 2014. Acrylic polymer paint, pearls, and beads, 22” x 15”.