And signals the future of the brand.
It misses all the fun.
Before Marine Serre even had a business, she had created a brand.
Philo is a designer for a slower era.
He didn’t make mistakes — he made classics.
“I saved no letters, of course, but they were always remarkably like Diana: unsparing, precisely worded, surprisingly affectionate.”
Nicolas Ghesquière’s blend of modern and classical at Louis Vuitton was the defining moment of the season. Plus: Chanel, Miu Miu, and Thom Browne.
Warm collections by McQueen and McCartney, along with some stellar exhibits, remind us that it’s not just technology that draws people to fashion.
Clare Waight Keller returns the brand to tailoring, promisingly. Plus: Gvasalia goes his own way at Balenciaga, and Philo gets personal at Céline.
Junya Watanabe explores wearable femininity; Rei Kawakubo pulls back from the avant-garde. Plus: Altuzzara in Paris still feels like New York.
Undercover incorporates Cindy Sherman’s aesthetic with more depth than fashion usually manages. Plus: Loewe’s grounded luxury.
Rick Owens evokes it brilliantly, while Balmain’s Olivier Rousteing stays on the surface. Plus: Loving Chloé’s new direction.
Dior wants to reach them, but doesn’t know how. Plus: Lanvin’s decline, and deft touches at Margiela and Dries.
Denying retirement rumors, New York Fashion Week’s guiding light produced a moving homage to fashion relics.
Amid sports cars and sexy female villains, the designer’s best collection in some time.
Young designers find fresh takes on storied brands. Plus: lush minimalism at The Row.
The surfer/raver clothes at the singer’s Fenty x Puma show were pretty terrific, too. Plus: Victoria Beckham, Public School, and more.
Two designers known for their edge, Alexander Wang and Eckhaus Latta, showed in Brooklyn on Saturday.
Yves Saint Laurent’s business and romantic partner, who has died at 86, was bold, fearless, and courteous.
Monse and Brandon Maxwell show how crucial it is. Plus: Jeremy Scott’s 20th anniversary.
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