Revisiting our 1988 profile of Elite Model Management founder John Casablancas, whose inappropriate behavior was no secret in the fashion industry.
Revisiting Julie Baumgold’s report on the opulent spectacle of Christian Lacroix’s first New York show.
The space, designed for a highly discerning 13-year-old, also features Mickalene Thomas, Tom Sachs, and a couple of Gaetano Pesces.
Lally Weymouth profiled Hugh Hefner’s then-29-year-old daughter, the newly appointed president of Playboy Enterprises, in a 1982 New York cover story.
The millennial baby-boom, in vitro fertilization, later-in-life pregnancies, and more.
Ephron’s 1973 New York piece, “Bobby Riggs, the Lady-Killer,” displays her deadly aim and clear-eyed skepticism.
In the 1970s, Molly Haskell tried to look at a wave of explicit movies as a new avenue for interesting art. They didn’t perform on demand.
“I had the time of my life; I traveled the world. It’s a tricky, dangerous business, but for me it worked out.”
Politics and service journalism from the early era of legal abortion.
A shopping column for a particular type of urbanite who consumed avant-garde theater and home accessories.
Everyone loves a terrace. So why not turn the whole living room into one?
After he checked into a room, it never looked the same.
Editta Sherman by various landmarks, in period costumes.
As spouse, senator, loser, winner.
Office gals fetching coffee may be a thing of the past, but the working woman’s revolt certainly isn’t.
Every detail has been recreated with amazing precision.
Revisiting the Viva profile that nearly got Clay Felker fired.
Revisiting Patricia Morrisroe’s 1983 New York feature, “Mommy Only.”
Is it cancer? They’ll know in half an hour.
A preview of artist Hank Willis Thomas’s “Unbranded: A Century of White Women, 1915–2015.”
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