An exhaustive list of every reason you’ll love the sequel just as much as I do.

Reflecting back on the email chain heard ‘round the world.

Director Jennifer Fox has created one of the most extraordinary depictions of childhood sexual abuse ever put on film.

Bernardo Bertolucci says he still supports #MeToo.

At the Tribeca Film Festival premiere for Love, Gilda.

Pamela Adlon’s eldest daughter prepares to navigate stardom — and answer the tough questions — in the era of #MeToo.

From salary transparency to government funding.

“I’ve been down that road, I know what that’s like. I don’t need to watch that movie.”

“That’s a combustible combination, the two of them.That’s what you dream of as a director.”

The Portlandia co-creator talks #MeToo, directing a rom-com, and getting back in the studio with Sleater-Kinney.

Talking with The Florida Project’s breakout star.

Smart move on Hollywood’s part.

And with a scene-stealing turn in Lady Bird, the actress has become a star in her own right.

An expert answers all our burning questions about Reynolds and Alma’s unusual courtship.

Both Metrograph and Alamo Drafthouse are hosting series.

Portman didn’t pull any punches when introducing the entirely male field of directorial nominees.

Four women have come forward to accuse the director of Crash and Million Dollar Baby of sexual misconduct, including two counts of rape.

“I probably have to have some therapy after this.”

Maybe he just hasn’t found the right rom-com.

The Spring, a short film about a Florida amusement park, offers an offbeat kind of mindfulness.