At the Tribeca Film Festival premiere for Love, Gilda.

“Why have a woman be a lead character when a man could do it?”

Sliding Doors is a perfectly light, frothy rom-com that shoves you down into a bottomless funk of self-doubt right after the credits.

What’s Good This Week: Every single song on Invasion of Privacy and Killing Eve, the only television that matters.

Pamela Adlon’s eldest daughter prepares to navigate stardom — and answer the tough questions — in the era of #MeToo.

The Pitch Perfect writer and Girlboss showrunner sees her directorial debut, the teen sex comedy Blockers, as a feminist project of a certain stripe.

What’s good this week: Cardi B’s new song, obviously; the Weeknd’s new album, definitely; Chris Evans’s new facial hair, maybe?

It’s not necessary.

“Anyone who says a movie like this isn’t important is so out of touch, because I’ve had three friends come out to me since seeing it.”

TWC has also released its employees from their nondisclosure agreements per negotiations with New York attorney general Eric Schneiderman.

Thoroughbreds will teach you how to never feel feelings.

It’s a movie best-appreciated with a healthy dose of childlike wonder, or a fist full of psychedelic drugs

Can’t wait for the think pieces.

Everyone else can go home.

“I’ve been down that road, I know what that’s like. I don’t need to watch that movie.”

What’s good this week.

“That’s a combustible combination, the two of them.That’s what you dream of as a director.”

Double your pleasure, double your psychosexual terror.

Elio’s “artfully dilapidated” 14-room Italian villa is on the market.

The director is helping to start the Evolve Entertainment Fund, which will fund internships for young people of color and others.